But my marriage has not been easy – my husband has huge insecurities and is threatened by my doing anything that doesn’t involve him. So I’ve shelved plans to go back to study, to travel with my job, to go on weekends away with girlfriends even hen nights – all to try to ‘save’ our relationship. He’s always been very moralistic, with a black and white view of things, and is very judgmental of others who he perceives as not living up to these standards. He makes a fuss if I want to see a girlfriend who’s divorced, saying we’ll be on a manhunt. I’ve been accused of sleeping with almost every man I have ever worked with, his sisters’ partners and even some of his friends. Honestly, his accusations are completely without foundation.
Theorems, Old and New, Appeal to Folk Art Collectors
Welcome friends and needleworkers, hope your Thanksgiving Day was very special! Needles are the most important tool for sewing, and are as old as time! Little is known about the origins of the steel needle, except that it was brought in Medieval times from Islamic countries to Spain, from where it slowly filtered into the rest of Europe.
Recorded needlemakers were registered in Vienna, Austria as early as Nuremberg in Germany was making steel needles by and Queen Elizabeth I had the steel needle brought to London in
A (needlework) sampler is a piece of embroidery or cross-stitching produced as a demonstration or a test of skill in needlework.   It often includes the alphabet, figures, motifs, decorative borders and sometimes the name of the person who embroidered it and the date.
Home Articles Know Your Antiques: Sampler Comparisons by Carol Huber Samplers, silk embroideries, and canvaswork pictures are extraordinary examples of needlework skill wrought by girls and young ladies from the late-seventeenth into the mid-nineteenth centuries. When exhibiting at antiques shows, we observe visitors to our booth studying needleworks and reading their tags. Some are obviously familiar with the subjects and others appear perplexed. Those in the latter group often ask, “What makes one sampler more valuable than another?
As in any field, prices vary widely and are dictated primarily by sales of similar pieces, condition, and appeal. When judging needlework, visual impact and graphic design are extremely important, followed closely by condition. We urge clients to purchase fewer pieces in better condition, aiming for quality, not quantity. Offered here are two brief comparisons that we hope will serve as a beginning guide to the types of things one should consider when collecting antique needlework.
All four examples presented here are very fine samplers, but there are aspects that differentiate them in regards to valuation. Overall Assessment The early date is a strong point in terms of its rarity and, hence, value. The frame appears to be original, which is highly desirable and unusual for such an early sampler. Condition This sampler has some overall condition problems that affect the price. There are small holes in the background fabric, some staining, and some thread loss.
Post Mortem Photography Way beyond Halloween or purple haired Goth teens, though both demographics are appreciated, TearDrop Memories has transformed this specialty niche market into one of the most unusual antique shops out there. An interesting business model for dead sure, thinking out of the box or coffin for this retailer has Big Museums, Hollywood, Madison Ave.
TearDrop Memories NorthFork Pet Antiques success is newsworthy, especially so in a time of depressed costumer spending and a general lessening of interest in traditional brick and mortar store antiques.
Samplers were pieces of cloth, usually linen, that featured hand-embroidered designs using thread made of silk, wool, or cotton. In the 16th century, young European girls made samplers as a way of learning embroidery techniques that would be useful in the repair of household linens.
What determines the value of an antique Bible View your cart: The famous and very beautiful and attractive large family Bible of the ies and ies were sold by sales representatives who would literally go ‘door-to-door’ so offer these Bibles. They would carry with them a ‘Bible Sampler’: Also the quality and decorations of the covers would be more extensive and expensive as the price would increase.
The Salesman Bible Sampler would also contain small notes with additional instructions or background information for the salesman to share with the customer and off course one or more pricelist. In the Salesman Bible Sampler at the end would be a set of pages, the so called subscription list, where Bible Salesman would write down the names and addresses of each customer who ordered a Bible plus the choices he or she would make about the various options for the Bible Even though one will find the names of many different publishers in these antique folio sized family Bibles, the vast majority of these Bibles were printed by A.
The name of the publisher mentioned on the title page is often more the local representative or perhaps even franchise that actually sold the Bible. A Holman Bible can always be recognized by ‘the Light of the World’ trademark that is often found on the title page. The Salesman went house by house and the Bible Sampler was opened and used continuously. Therefore most of the Salesman Bibles that have survived this period are in a fairly shape. It is extremely rare to find one of these Samplers in a Very Good or better condition.
Examples of contents, covers and spines are all included in this interesting sampler. The binding is fairly tight but as always handle with care.
Dating from the late 18th through the mid th century, measuring from doll size to king size, the selection includes examples from all across the country, as well as from England and France. Pieces are included in the inventory if they meet these criteria: Her clients are people from around the world who admire Americana but are not necessarily purist Americana collectors. Either they use quilts as intended originally on beds, or purchase quilts to display on walls like the works of art they are.
Examples from the shop are also in museums and corporate collections. Design magazines have praised the shop for its “well-edited selection”, its “affordable prices”, and “the helpful service” of its knowledgeable, ebullient owner and staff.
Nabby Dexter, Mary Balch’s School, Providence, Rhode Island, dated Find this Pin and more on Antique Samplers by PJ Stitcher. American Sampler ~ Nabby Dexter ~ Aged 10 ~ Mary Balch’s School ~ Providence, Rhode Island ~ Silk on linen.
Submit a question by using the form on our Contact Us page. Please feel free to send a digital picture directly to contact antiquesamplers. Hello, I happened upon your site via a sampler link on Pinterest. However I noticed you don’t allow pinning of the samplers featured here and that is understood but I was wondering if you would allow pinning of your homepage so that we can share a link to this wonderful site. If not, I fully understand. I thought I would ask anyway. Thank you so much for asking – we really appreciate it!
With the way Pinterest works, we aren’t sure if our site will “pin” since we have blocked the images. You are welcome to try it. We struggle with Pinterest because the images are so prolific and often copied, trodding the heck out of all types of ownership and copyright legalities.
Appraisers in the following categories will be available to give assessments: We do not recommend bringing large pieces of furniture, as we cannot help with moving or transporting items. Participants will be responsible for moving their items. Dollies and moving assistance are not provided by WNED. You are welcome to bring two guests with you at no additional charge. Anything perceived as a weapon will not be permitted!
Sampler or Antique Sampler: Usually these terms refer to early needlework accomplishments stitched, or wrought by young students in schools with silk thread on a linen background. They can run the gamut in quality, complexity, and price.
May 14, The word Embroidery is a wide ranging term that really encompasses all of the needlework skills. It really is just the art of forming decorative designs on fabric. This art of decorating fabric with thread or yarn has its roots in ancient history. The earliest surviving examples of embroidery are Scythian c. These pieces depended on the basic stitches still used today. The big change between then and now is that no longer must embroidery be done by hand.
In the mid s France developed a machine that would do embroidery and machine made embroidery became popular in the late s. No longer did decorations depend on individuals plying a needle and it became more abundant in society. Dating from the s, it is one of largest and finest examples of historical embroidery. It is not a counted stitch but more of a freehand which allows a certain interpretation of the picture.
The Bayeaux Tapestry pictured above was done in this type of embroidery. A picture is transferred to the material, which historically has been cotton or a closely woven linen twill. The designs went from simple to very intricate. Some of the traditional stitches that are used are chain stitch, satin stitch, french knots, and stem stitch.
Barbara Brackman’s MATERIAL CULTURE: Botanizing #5: Six Similar Samplers
My collection currently numbers thirteen nine dolls’ houses – I used to have over forty houses but have been steadily streamlining the collection and in over the last eight years I have sold off all my commerical antique and vintage houses but two. My primary focus is now restricted to artisan dollhouse miniatures with a few exceptions here and there. Many of my houses are displayed in one room where I painted a Rufus Porter-style mural around three sides of the room. One wall is copied from the mural that appears in the Tynietoy mansion while the other walls feature scenes from the Delaware Valley landscape, where I live with my husband and troublesome cat on the north side of the Musconetcong Mountain.
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Pleasant In my efforts to continue fighting for truth, justice and the Royal Yacht way: An all-time classic from one of the world’s outstanding pipe and tobacco firms. It is a big seller at pipe shops around the country, and for good reason. RY is my favorite blend, and the perfect way to start each day. I load up with a cup of coffee and spend the first hour of the morning in total bliss! Royal Yacht is not for neophytes.
I get tickled reading reviews of this blend from new pipe smokers. The tobacco spice upon lighting, and the powerful dose of nicotine will cross the eyes and blurr the vision of newbies! If you enjoy true tobacco taste the virginia base is excellent then you will enjoy this powerful blend. It can be smoked all day with no fatigue or tongue bite. The delicate flavoring only adds to the enjoyment. I smoke about four 50g tins of this tobacco a month.
Six Similar Samplers “Wood Bine,” the name embroidered or inked on a botanical sampler in the collection of the Shelburne Museum. The plant looks like what we out here in Kansas call Bindweed, Convolvulus, an unwelcome guest in the garden. This one’s easier to identify: The museum believes it to be from Pennsylvania.
And what is even more extraordinary:
Antique samplers were predominantly stitched by young girls in private schools, in the year period between The Huber’s large inventory emphasizes American and English antique samplers, silk embroideries and related textiles.
US Samplers After the revolution American samplers develop a style of their own. Indeed, even in the nineteenth century, Colonial life was no bed of roses. It was just the reverse with the American sampler of the same period. Those whose interest is centered entirely on the fine stitchery done on delicate fabrics will find comparatively little to admire, for although fine work does exist, it is, however, not a general characteristic.
Such critics should learn to view these youthful efforts from a completely different standpoint, appreciating the handicaps under which they were made, watching the development of the design which reflected the life of that day, and thus getting at the spirit and true character of the American work; or else they would do well to confine themselves to the study of the better regulated sampler of the English schools. English VS American Samplers It is important to realize the conditions and influences that made the English and American samplers of the nineteenth century so unlike.
Aid in composing the design must have been frequently sought from older friends or members of the family, and as they were not past masters in the art of drawing, it led to many amusing inaccuracies in perspective and proportion. For instance, notice Rebecca Slim’s gigantic mouse, He would have had great difficulty in squeezing through the door of her little house. Another difficulty lay in the materials available, which did not lend themselves especially well to very fine work, much of the linen being of a coarse, loose weave, with threads that were apt to pull together awkwardly when cross-stitch was used.
Occasionally a child was lucky enough to procure fine muslin or tiffany for a groundwork; the latter lends a peculiar lightness and richness to the background, the colors stand out well upon it, but unfortunately it cracks and disintegrates easily. But when it comes to embroidering a church, where the stitches extend the entire distance from the steeple to the ground without a break, the result is fragile, and such a piece of work should be preserved under glass.
Silk of this variety is practically never seen in foreign embroideries.
Know Your Antiques: Sampler Comparisons by Carol Huber from Antiques & Fine Art magazine
Frequently Asked Questions How do you know where a sampler was made? Whether a sampler is American, English, Scottish, Dutch or Spanish there can be certain visual clues that make its origin known. After years of study, we can easily identify characteristics and compositions from not only certain regions, but specific schools, as well. American samplers can be identified by regional characteristics; i.
The format, whether horizontal or vertical, the stylization of flower blossoms, and borders can all give insight into the origin and date of a sampler. Genealogical research helps where possible, as well but the physical characteristics of sampler must come first in the identification process.
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Search Samplers Historically speaking, the “examplar” or sampler was the teaching tool for young girls to learn how to sew, embroider and darn. These were important matters for a young woman to be able to do or to supervise others to make and repair household linens and clothes. This issue we are going to go back in time to learn more about samplers and their importance to us today. The sampler was the colonial equivalent to paper and pencil.
Today, children practice their writing skills improving over time. Samples of their work show their progress. A sampler works much the same recording the technical expertise of the stitcher through the alphabet and motifs. In many cultures it also had a spiritual aspect with moral sayings and reminders.
CARON Collection Features
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American Samplers The earliest known American sampler was made by Loara Standish of the Plymouth Colony about By the s, samplers depicting alphabets and numerals were worked by young women to learn the basic needlework skills needed to operate the family household.
Also known as a pie cabinet, pie cupboard, pie chest, or kitchen safe, the pie safe helped to keep pesky insects, rodents, and dirt away from freshly baked goods. Origins It is believed that the pie safe was first introduced in the United States in the s by German immigrants who would come to be known as the Pennsylvania Dutch. Word spread quickly about the new storage solution that protected baked goods. The pie safe became the closest thing to a refrigerator, making it a popular and relied upon piece of kitchen furniture.
Ventilation, in the form of screens or tin with holes punched into it, contributed to keeping baked goods cool and preventing mold growth. Construction Original pie safes were the size of large bureaus and were made from solid wood. Yellow pine was the most common wood choice. Soft pine was often used to make the shelves and drawers. Variations in size and shape contributed to its appeal.
Most were freestanding cabinets with deep shelves.